FOR NO REASON but to irritate me, we get a heat wave in December. In forty degrees, I sweat like iced tea in August and here I woke up this morning to eighty-three on the dial. I’ve spent half my life trying not to sweat so much: Dainty Lady sweat cream, frozen potatoes in my pockets, ice pack tied to my head (I actually paid a doctor for that fool advice), and I still soak my sweat pads through in five minutes. I tote my Fairley Funeral Home fan every place I go. Works good and it was free.

Miss Celia takes to the week of warm weather, though, and actually goes outside and sits by the pool in these tacky white sunglasses and a fuzzy bathrobe. Thank the Lord she’s out of the house. At first I thought maybe she was sick in the body, but now I’m wondering if she’s sick in the head. I don’t mean the talking to yourself variety you see in old ladies like Miss Walters where you know it’s just the old timers disease, but the capital C crazy where you get hauled to Whitfield in a straitjacket.

I catch her slipping upstairs to the empty bedrooms almost every day now. I hear her sneaky little feet walking down the hall, passing over that little squeak in the floor. I don’t think much of it—heck, it’s her house. But then one day, she does it again, and then again, and it’s the fact that she’s so darn sneaky about it, waiting until I turn on the Hoover or get busy on a cake, that makes me suspicious. She spends about seven or eight minutes up there and then pokes her little head around to make sure I don’t see her come down again.

“Don’t go getting in her business,” Leroy says. “You just make sure she tells her mister you cleaning his house.” Leroy’s been on the damn Crow the past couple of nights, drinking behind the power plant after his shift. He’s no fool. He knows if I’m dead, that paycheck won’t be showing up on its own.

After she makes her trip upstairs, Miss Celia comes to the kitchen table instead of going back to bed. I wish she’d get on out of here. I’m pulling chicken off the bone. I’ve got the broth boiling and the dumplings already cut. I don’t want her trying to help with this.

“Just thirteen more days before you tell Mister Johnny about me,” I say, and like I knew she would, Miss Celia gets up from the kitchen table and heads for her bedroom. But before she makes it out the door she mutters, “Do you have to remind me of that fact every day of my life?”

I stand up straighter. That’s the first time Miss Celia’s ever gotten cross with me. “Mm-hmm,” I tell her, not even looking up because I will remind her until Mister Johnny’s shook my hand and said nice to meet you, Minny.

But then I look over and see Miss Celia still standing there. She’s holding on to the doorframe. Her face has gone flat white, like cheap wall paint.

“You been fooling with the raw chicken again?”

“No, I’m . . . just tired.”

But the pricks of sweat on her makeup—that now’s gone gray—tell me she’s not fine. I help her to bed and bring her the Lady-a-Pinkam to drink. The pink label has a picture of a real proper lady on it with a turban on her head, smiling like she feels better. I hand Miss Celia the spoon to measure it out, but that tacky woman just drinks it straight from the bottle.

THE DAY AFTER Miss CELIA’S face goes funny is change-the-damn-sheets day and the day I hate the most. Sheets are just too personal a thing for folks who aren’t kin to be fooling with. They are full of hair and scabs and snot and the signs of jelly-rolling. But it’s the blood stains that are the worst. Scrubbing those out with my bare hands, I gag over the sink. That goes for blood anywhere and anything with a suspicious resemblance. A stepped-on strawberry can hang me over the toilet bowl for the rest of the day.

Miss Celia knows about Tuesdays and usually she moves out to the sofa so I can do my work. A cold front started in this morning, so she can’t go out to the swimming pool, and they say the weather’s going to get worse. But at nine, then ten, then eleven the bedroom door’s still closed. Finally, I knock.