Debby My Journal 1109971 Curiosities served |
2013-03-17 10:20 AM two at the Southampton Review Previous Entry :: Next Entry Read/Post Comments (0) On Seeing Blake's Illustrations
We first met on the broken couches of college. Next to Picasso's blue nude he asked, When the Sun rises do you not see a round Disk of fire? And he answered himself, O no no I see the Heavenly host crying Holy Holy Holy. I question not my Corporeal Eye any more than I would Question a Window I look through it & not with it. I have looked through the window then stripped my clothes and danced in the garden. I was fourteen and ready for the rain. My wet flesh under the florescent lights of New Jersey trying for ecstasy. Here at the Met, Blake's craft behind glass, I am arrested by color--yellow, red. I am trying to conceive, have failed. The tyger I dreaded as if I were the lamb gazes out with a lopsided grin. I cannot know I will bear a live child, that she will be whole, stroke my breast, that her heat will flood my body. Deborah Bacharach The Southampton Review Spring 2013 At Four Months I Visit Chicago 1. The art museum Renoir's laundress, puts her basket down, hands on her hips, a slightly rounded belly. Maybe she has a secret, (I have a secret! I have a secret!) maybe she knows what I know. 2. The hip disco Bathed in pink neon and the futile gyrations of the children, yes they are just children, and they don't make eyes at the likes of me, never mind my spandex. I drink tonic, bargain with smoke. 3. The natural history museum I have waited in line for an hour. The history of chocolate is the history of slaves. Children crowd in front. I step around their screams and vomit. In the jade room, intricate, quiet, a baby doll in white flannel lies crumpled beside the glass case. 4. In line at the windowless McDonald's Cattle car railings, no natural light, the desperate hope that they will still have fish filet like I used to get on Sundays like I used to get at the Philly Street Station like I used to get driving Minneapolis to Seattle listening to Sherlock Holmes and Lolita, I find a place. 5. Walking Wabash Brancusi's Sleeping Muse has no body, closed stylized eyes. I have a complete body, every finger, every limb. I move like a gracious mountain. I could. I will be a lahar, carving the plain. My eyes are open even in the wind. Deborah Bacharach The Southampton Review Spring 2013 Read/Post Comments (0) Previous Entry :: Next Entry Back to Top |
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