Keith Snyder
Door always open.

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How do historical writers do it?

All I want to do is send a De Ville hurtling down a highway embankment in Arizona in 1959, and have it end up on a lower road.

  • What highway would it be?
  • Would there be embankments?
  • Would there be a curb?
  • Would there be a frontage road?
  • Were any parts of desert highways elevated then?
  • If not, a bridge might do. Were there any bridges near where I'm setting my action?
  • How am I supposed to find out, seeing as there are no maps anymore?
  • Found some video taken from the highway, looking down a mountain. Can't see how steep it is or how far the plummet.
  • Once down on the lower road, what would be appropriate for the place and period in the rearview?
  • What law enforcement agency would be likely to mind? Arizona Highway Patrol or County Sheriff?
  • Does it have to be 1959? I've gotten maybe 12 words written tonight.

I didn't write four books about musicians and artists in modern-day Venice, California because I liked research.

On the bright side, I just heard a string quartet on Iridian Radio kick ass more completely than most rock bands. I tracked down the CD and ordered it. If the rest of ETHEL is as good as HARDWOOD, the cut I heard, I'll post about it when it comes.


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