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2006-11-16 11:24 PM Knock, Knock Mood: Contemplative Read/Post Comments (5) |
Welcome to the Elsewhere, a place I go to pretend I know what I'm talking about when I talk about writing fiction. And you pretend you don't know what I'm about to say. Knock, knock "Knock, knock" jokes are probably one of the first jokes you learned. They work out of novelty. In other words, they work because we don't know the punchline. Knock, knock Why bother telling the joke if you already know it? There's no point. The same with many 'twist-in-the-tail' stories. Sure, it's got a zinger in the end, but, once you know the zinger, does the story become pointless? It's not limited to written fiction, either. Most of the Bruckheimer C.S.I. franchises are devoid of characterization or theme. They just have the clues, the crime, and the denoument. If you see a repeated episode (summer dull-drum season, syndication, whatever) does it have the same thrill? Contrast this with the Dick Wolf Law & Order franchises. They are scarcely removed from C.S.I., and have injected much more crime scene analysis to match. However, their characters, however unprofessional, become involved with the cases and interact with each other because of the crimes unfolding before us. That's the same point to the "twist-in-the-tail" short story. If it absolutely must have a twist, make sure the story works even if the twist is known. That way, the reader can revisit the story and get something else out of it. Oh, and it works for jokes, too. Here's the punchline for this example: "What do you mean, 'didn't try?' I sent you two boats and a helicopter!" The river overflowed the banks and washed through the streets, trapping everyone along this one road. Re-readability, like humour, is a subjective quality. I find this joke aumsing to hear again, even amusing to tell again. (But I won't.) Read/Post Comments (5) Previous Entry :: Next Entry Back to Top |
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